"In order to impose itself, neocolonialism needs to convince the people of a dependent country of their own inferiority. Sooner or later, the inferior man recognises Man with a capital M; this recognition means the destruction of his defences. If you want to be a man, says the oppressor, you have to be like me, speak my language, deny your own being, transform yourself into me. As early as the 17th century the Jesuit missionaries proclaimed the aptitude of the [South American] native for copying European works of art. Copyist, translator, interpreter, at best a spectator, the neocolonialised intellectual will always be encouraged to refuse to assume his creative possibilities. Inhibitions, uprootedness, escapism, cultural cosmopolitanism, artistic imitation, metaphysical exhaustion, betrayal of country - all find fertile soil in which to grow."
La hora de los hornos, The Hour of the Furnaces: ‘Neocolonialism and Violence’