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Aajare Nindia Vani Jayaram (Maya Darpan, 1972)
In either case, Bresson thoroughly remains a realist of space and time. Shahani, on the other hand, doesn’t hesitate to slip in the borderline-surreal elements. Large stretches of poetry and prose are recited by the characters on the soundtrack, which touch upon their psychology but abstain from analysis, while we see them wandering the barren, debris-filled streets of the town. [x]
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Tuesday 21st February at 11:25pm
Tagged with: yeees aajare nindia vani jayaram maya darpan kumar shahani classical
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"No agony, no agony, no agony. If God is everywhere, why is there agony?"
